Bonnie & Clyde, Cashiers du Cinéma, and what defines independence.
Bonnie & Clyde and Current Cinema: Does the Audience Know What an Independent Film Is? the following essay,…
Lee Van Cleef: Through The Eyes Of An Angel
In 1952, Fred Zinnemann’s acclaimed motion picture *High Noon* graced American screens. Its straightforward protagonist, Marshal Will Kane,…
The Substance – A Few Easy Pieces
Coralie Fargeat possesses an innate obsession with symbolism. Her pictures, for better or worse, adapt and relish on…
Agnés: From 5 To 7
In Agnes Varda’s “Cleo From 5 To 7” the filmmaker dwells upon the nature of symbolism and her…
Leave Her To Heaven – Pictures Made In Heaven
On the opening of the picture, ‘Leave To Heaven’ showcases the innovation of its technicolor drama by immediately…
Anthony Mann – Genre Fanatic Renaissance Man
It appears Anthony Mann can do anything. His mature approach towards the western genre could hold the attention…
The Man From Laramie – Which M?
Money Or Morals? In Mann’s 1955 experimentation he marks a vital piece in his collaboration with Jimmy Stewart,…
Killers Of The Flower Moon – Scorsese’s Genre defining masterpiece
The fate of any western made after 1969 is self reflection. Self reflection of a genre that by…